Відео

You could make a million dollars just by selling online the t-shirts you wear in your videos.

Has it been snowing in your Cubase?

180 and 350, thank me later

I do a lot of remasters of old CDs. 250 Hz is usually a starting point for cutting mids.

These mix engineers will probably make sense if every mix tutorial isn't aways rock or pop 🤔 whatever you call it. Most producers or engineers I know is not into that genre or recording big rock bands.

The Yamaha amp is the G100II. I have the head. Great amp.I Love the parametric.

In Mix 16:31 - Swamp Thang 16:43 - Vintage 30 17:07 - CV75 17:43 - Veteran 30 Solo Riff 1 18:10 - Swamp Thang 18:22 - Vintage 30 18:46 - CV75 19:22 - Veteran 30 Solo Riff 2 19:46 - CV75 19:54 - Vintage 30 20:01 - Veteran 30 20:16 - Swamp Thang

I have not tried editing an actual acoustic drums but am struggling with a MIDI file recorded by a drummer who does not understand notes and quantizing. It's true that this is the most time consuming instrument to mix / edit. I am a guitarist and used to be really stressed out putting my guitar in place on the grid. Now, after spending a week on just a single MIDI drum track, I probably will never feel bad editing guitars again (with the exception of tone /Eqing it).

I have the series-1 100-6L6 and love it still....

I'm telling you, I have a v30 and a WGS retro 30. You should really give the WGS retro 30 a chance. I think you'd be surprised

My favourite sounding SABBATH albums are “Master Of Reality” and “Sabotage”! Very different sounding albums, but still as Black as Sabbath! “Master Of Reality” is Sabbath’s first doom-ist LP, a sound they took further on “Vol. 4”. Doom and Death metal evolved from this era Sabbath. “Sabotage” has a much tighter sound, but still classic Sabbath…..James Hetfield and Dave Mustaine were definitely listening!

Okay. Interessant. Ursprünglich war mir bekannt, dass das Boosten der 150 - 250 Hz Region der besseren Hörbarkeit von Bass auf kleinen Anlagen dienlich ist. Beim Soundbeispiel mit Dymytry passiert auch das, was ich als Hörer bei sehr vielen modernen Mixen kritisiere: Es klingt überaufgeräumt und überklar. Ich präferiere da, dass ein gewisser „Restmuff" überbleibt. (Wahrscheinlich Konditionierung von den ganzen nicht-modernen Mixen.) Nur beim Beispiel mit Nihilist war es imo dienlich. Da sind die Gitarren in dieser Region aber auch sehr stark gewesen.

I have stopped using eq in my mixes but that works only when i record the stuff as well

Sehr guter Tipp. Danke dafür 🤘

Sometimes, vocals should be covered up, you know?

None more Metal!

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If you don't enjoy double tracking you are missing out on so much fun to be had.

I bought it, doesn't do like you... The thing is moving from 20 to 35%

awesome

6:54 crazyy how that little cut widens the whole mix in context.. earned my sub 🫡🫡

3:03 woahhhh that slope on the hpf 😮😮 no phasing? This isn't my genre persay, but man id love to know more. Beautiful mix man!!

This is good! 💎

Ich war kurz krass verwirrt wo denn die Mussigg auf einmal herkommt 🥰. Wie immer sehr schönes video

Thank you for an ace FYI for engineering sound. Subed

Bit of a pain, but how about finding the best speaker in a cab and trying it in all four speaker positions to see if it makes any real difference. e.g. top left vs bottom right. same speaker, different speaker slot.

That track sounds sick!

I really appreciate this guy's technical process… But nothing he did made the song better. All of this time spent mixing in solo is all for nothing if you don't make the song… The SONG the best that it can be.

I have been a Kult member for over a year now and man I love it, it is just so incredible! Totally appreciate another free plugin man \,,/

Sick

excellent tips!! Thankyou for sharing!

Those low mids are the reason I don’t trust my dt770 headphones for mixing as my only option cause they are already cutting them a lot and sound cleaner than it may translate to other systems. The 500hz region is the first I ll cut in live sound from Shure sm series mics for vocals and guitar amps. Those are some good frequencies to cut but if you over do it, it can make the mix to lose warmth instantly

These are genius! Great video. Cleaned up my mix in a huge way. Vox came out clearer and the bassiness was taken down enough to hear everything else much clearer. This was super helpful! Thank you. Instant sub!

The Revv with the Big Muff sounded best to me. Ihad a big muff back in the mid 70s, and I had forgotten how goid the sound with distortion. (I had a PV Duece with a master volume for distortion, mixed with the big muff for fuzz. I was a bit ahead of my time because everyone thought I was insane for that tone back then. KISS songs with this tone was awesome, but most thought I had went "over the wall" !!! I think this type of tone could work well with modern Symphonic Metal, I'll have to try ! 😉

Kristian - you should do a similar video with the RG100ES... Dimebag's amp

Also, it starts in your mix. Pick an instrument to occupy the low mids, e.g. bass guitar. Pull those frequencies out of the instruments that don’t need them. Instantly, cleaner and more polished sounding mixes.

26:20 the seriousness with what he said that is peak metal humor

How does cutting 150-250Hz affect translation on smaller speakers? As I come to understand bass on small speakers rely on those higher octave harmonics. So it would be interesting to know how much of that range can be cut for it to sound still good on smaller speakers.

I cut the frequency of my music releases down 100%

I feel like the cut at 500hz could be really helpful using some mid/side processing. Using it to remove some of the buildup in the guitars on the sides at 500hz and allowing the vocals to cut through in the center.

Absolutely SUPERB video!! Love this and I agree!!

Youd be surprised what a 1db cut at 250hz and a 1/2db cut at 500hz will do for adding definition in heavy guitars- put it After cab block. Great for marshall types.

This band reminds me of Bury Tomorrow

My problem is not getting a fat snare but a sharp like a razor blade snare without samples

Wtf is that brickwall hi pass

Alles klar...literally. For once I could actually hear the difference. Going to give this a try on my muddy mixes. I'm also a little ashamed I recognised the Schlager stars too...

I still hear nothing in your examples that can't be fixed with a little eq on a single instrument instead of a mixbus. The drums sound terrible with all those low mids rolled out.

GREATEST VIDEO YET 👍🏼